top of page
  • Black YouTube Icon
  • Black Vimeo Icon
  • IMDb

Poetry / Literature

I am an untrained (unpolished, perhaps) poet. It is a great outlet for emotions that aren't able to be captured visually.

Also included are several "Sunday Free-Writes," as well as short-form writing prompts, in which I gave myself a limited amount of time to express my state with words. These are not as crafted as the poems per se, but perhaps contain their own inherent beauty.

Sunday Free-Write #5
(2026)

Daydreaming daffodils, a poignant 

disconnection. Mudpies constructed of your 

loudmouthed disappointments. In the

spider's web-turned-cob; a constant

layer of dust coating never fails 

to ache. You, thistles

and all, do not blow about in

the way of the unending breeze. It, all of it, is

the anchor. The titular axle.

The shortgrass is the most innocent of 

them, moving through you effortlessly,

like a stone sinking in a stream. Unmoving.

Unmoved. The rushing water creates

a friction on the rock. In these calamities, that

texture is where election resides.

The Truth in Wind

(2025)

I wake up in the morning to an empty house.

No footsteps of others, only the creaking of the

floorboards in the wind, the wind being

carried by the constant unfolding of Truth.

​

Where does the wind come from? I wonder.

What is its origin?

​

I quickly determine that each gust of wind must have been caused

by a previous gust of wind, and that gust by another, until the

very first wind had been gusted.

It is impossible to know, with certainty, what

Initiated that Primary Gust.

​

I try to determine in which ways the wind has shaped me,

perhaps blowing for or against me on specific roads of my past,

or pushing me towards a specific destination.

That which is sovereign functions outside of time.

​

Why has this wind,

utterly untouchable by me,

shaped me this way,

and others another way?

How can Truth express itself in contradiction?

​

I look around the windy house for signs of life,

but all I find is more air being blown about by

more of itself.

​

All turns to wind.

​

Eventually even the house starts to lose its structure. Then

my body goes. I'm suddenly in. a complete

void of Truth, with absolutely nothing to identify with.

My body is gone, yes, but I'm still me.

I know I am me.

​

Then the thought finally arrives:
If my body has dissipated into empty air before me,

then what is the 'me' which perceives it?

Garden (2025)

My father promised me his garden

when he died those years ago. 

​

I saw pictures and videos. It was a sight to behold. 

A green landscape, a self sustaining ecosystem 

filling itself with fruit of every tree and vermin of every species. 

My father insisted the squirrels and chipmunks didn’t require any fruit 

from his beloved trees, but were too, in fact

self sustaining themselves, as if photosynthesizing in the sunlight. 

The water of the fountain located in the garden’s 

direct center flowed infinitely. It was almost

invisible with how clear it managed to be, how clear

my father managed to keep it. 

​

Videos he’d send me of the branches of the tall

oak swaying in the calm wind functioned not only as a

motivator in my life but as itself sustenance,

as if the blue light of my phone screen were

giving my eyes nourishment. 

​

I imagined myself sitting there, into my

old age as well, my eternity. 

I longed for more footage. I longed for

evidence. 

​

My father has been dead 

for many years now. His death

was brutal. He was brutalized. 

Though his body went through infinite

trials of a parasitic nature,

he never stopped tending his garden. 

Through much litigation upon the

discovery of it, the garden has 

finally been passed down

to me: his only daughter. 

​

I had never seen the garden in person. 

He was an extremely private person, and his

work for whatever government agency he kept from me clearly

served a strong purpose in this world. 

This was clear, upon his death, from the amount of

men entering his house, his home. 

I did not grow up there; my mother

raised me despite her constant absence. I wondered

if my father ever truly wanted me.

​

I was not allowed into my his property 

for seven years after his death. 

Men in gray clothing held my 

body from this place, physically 

restrained me.  

My motivation for being at its gate stemmed from the same

mindset held while my father was still alive:

I wanted to see glimpses through the noise. 

​

Saturated greens flashed around the

gray men as they came in and out of

the garden. All I was able to see was

the blinding color I recognized 

for years on my phone screen. 

In and out. They went in and out. 

Sometimes they exited the property with

something of my father’s. Once, I saw one carrying

a coloring book from my childhood. 

I asked him for it, I begged. “Evidence,”

he said coldly. I never saw him or it again. 

​

After those seven years of waiting, I was

finally given permission to enter. 

What I saw was 

the end. â€‹

 

The perfectly green grass I witnessed glimpses of in 

photos had been trampled to a dull

orange-brown. 

The trees had lost their leaves. Not from

a seasonal change, for it was late spring, but from lack of care. 

The self sustaining squirrels had been replaced,

taken over by rats. Thin, 

gray rats, with tufts of fur removed, either by fellow

rat or bird. 

These rodents, too, did not touch the 

fruit, for there were none to touch. They resorted to

cannibalism. Infanticide. Survival at

all costs. Tribes of rats, all the

same color.

​

I walk to the center of the garden and sit 

by the large fountain. In it was piles and piles of 

shit. A mountain of shit. 

My father’s water had been turned off years ago, and

in their conquest for knowledge, the gray men

had needed taken a new target for their excrement. 

The stench filled everywhere. It 

filled not only my lungs, but my pores. 

​

I had seen enough. My father’s garden had become

a nightmare incarnate. I could not

distinguish my tears caused by the

overwhelming emotion or the stench. 

I depart from the shit fountain and approach the gate I stood by 

for so long. 

Two gray men stand on the outside, facing

away from me.

The gate is locked. Locked inwards. 

I beg the men to open it at once, the pain

of the ravaged garden becoming unbearable, when I finally

see the paper. 

​

Attached to the gate is a document, a

legal document. Informing me of my 

new role. 

Signed by The King of my country himself, the paper

informed me that I had seen too much, and that

my father’s responsibilities have been

passed down to me. Many apologies

were included, faceless apologies from

an unseen force. The gray men

remained distant. 

​

I had longed for the garden for years and years.

Its arrival was my condemnation. 

Thematic
Apperception
Test #1 (2025)

        Panging forehead. An eyeblink. Consciousness returns suddenly, and all she can focus on is the booze she fancied last night. Nothing else can explain this headache. The bed feels weighted. Imbalanced. There’s a cold, hairy foot touching hers. Her mistake breathes heavily beside her, a boulder taking up three fourths of the mattress. His leather jacket is still on. Only the exhaustion of an orgasm can cause a man to sleep in a leather jacket. She’s seen this jacket many times before. Instinctually, she looks upon him, and sees a face not unlike her own. Her spine goes rigid as the headache suddenly dissipates. She is on her feet now, somehow already at the door frame. Her hands are shaking, legs weak. She covers herself in disgust, hiding her face from her sleeping brother.

Prompt: I Remember / I Do Not Remember (2025)

          I remember when disagreements didn’t end with the dissolution of familial bonds. I remember what my grandmother’s house smelled like. I remember the feeling of hope when entering a new relationship. I remember looking forward to college. I remember how good In-N-Out Burger tastes compared to other fast-food chains. I remember my favorite films. I remember my dreams. I remember not knowing.

          I do not remember there ever being a time of true peace. I do not remember experiencing the feeling of home in someone else. I do not remember what I look for in a person. I do not remember what it is to be excited by a new subject. I do not remember the taste of unprocessed meat. I do not remember most things I read. I do not remember my dreams. I do not remember what I do not remember.

          My hamster was three years old when it died. I loved my hamster. Chap—that was its name. I never liked that name. My sister chose it when she first got him. She saw some British movie on TV when she was home sick—she was bed ridden for almost a month, actually—and she liked how the main character called everyone chap, so the name stuck.

          That film was quite violent, come to think of it. The story revolved around a father who, tired of his tumultuous existence as a pet store owner, hires a hitman to kill his family. It ends with him burning down the store. I’ll never forget the sounds of the dogs barking as the flames grew bigger. I’m not sure why my parents let her watch it. She was seven at the time, so I guess that makes her ten now. Part of me thinks that she conjured her illness simply to gain the sympathies of my parents. I swear I have a vivid memory of her rushing into bed upon hearing the garage door open, indicating my father’s arrival. Perhaps it was a dream.

          Chap died when I dissolved my mother’s antidepressant pills in his water. I saw, see it as an act of mercy. To watch this pathetic rodent sit around in a miniscule cage, running on a wheel going nowhere was just sickening to me. Do hamsters know that they aren’t actually going anywhere when they run?

Prompt: I've Never Told Anyone This
(2025)

Sunday Free-Write #4
(2025)

They say it is a "dog-eat-dog world,"

but why must the dog eat the other?

​

A dog can look into a mirror, but it will

not recognize its own reflection. No, it may even

alarm itself on pure instinct.

​

Is all of this in service of the dog?

​

Perhaps the glass itself is the culprit—but

in what way can the inanimate be blamed?

Is glass Itself inherently inanimate? Or

do we give it its life with our very

perception?

​

These questions stink of frivolity.

​

I will continue gnawing on shards of myself.

Sunday Free-Write #3
(2024)

In the universe’s conception,

the big bang produced in nearly equal parts

matter and anti-matter.
 

Nearly equal.
 

In a world of opposites, it is common to think that

the dark outweighs the light, for we often

focus on what is lost.

Opposites unite us in our morality, despite what

the other

may say is the truth.

 

A spider weaves its web from a singular middle point,

where it often resides.

 

Are you at the center of your web of reality? Or are

you a fly who is caught in the web.

 

When your web is blown away by a strong gust

of wind,

one must seek to rebuild, unless

they are the fly.

Sunday Free-Write #2
(2024)

The wise man experiences profound highs

and tremendous lows,

drug trips and prolonged sobriety,

as well as immense pleasure and

unbearable pain.

 

The fool… does alright,

maintains a state of numbness they may call

consciousness,

and in all feels very little.

 

It is not wrong to be one or

the other.

Everyone plays their part,

so to speak.

 

What I have learned is that

the wise man always seeks to be wiser,

and the fool more foolish.

It isn’t in the flowers that we find the beauty in nature, is it not?

For we find it in the other; the destructor and opposite.

Without the obstructive, the mind is inactive,

leading to thoughts filled with void.
 

A flower contains many petals.

Without all of its petals, one would no longer recognize it as such.
 

While there are many petals, there is only one stem;

a stem rooted so deeply and thoroughly that it holds up

not only itself, but the entire plant,

petals and all.

 

If the dream we call existence is replicated in nature,

the flowers are plenty.

 

The question to ask: who is the dreamer,

and what is the soil?

Sunday Free-Write #1
(2024)

You see you

in a book and think: my

God, how pretty am I.

You see you in a painting and think: my

God, how pretty am I.

You see you in a film and plea:

it worked out for them. It will work out

for me.

 

The truth is that none of

them were you.

None of them are you.

 

What you are is

something all the more

disturbing. Morally, physiologically, and

canonically.

 

You

are you worst experiences at

play. You

are what the coffee

turns to when left alone for years. You

are what you eat. You

are shit.
 

Your dwindling dreams keep you from

drowning, but at the cost in which you

cannot, no, may not

succeed.
 

You are you. No words, brushstrokes or

pixels to

help you.

You See You
(2024)

I go home to a wife

who is too unloving,
 

a bed which is too small, and

a dog that is too much

like its owner.
 

Work comes, as one expects, yet the

morning never does. 

Day in, day out. The slough of

onsetting days.  The slough of

onsetting days. 
 

I am your American-patriot dollar. 

Untethered by the bounds of normalcy

regulated in usual by

those who constructed me. 

Feed me. Lend me your blood, tears, 

and jism. But most of all, your

time. 
 

A coffee spill. A car accident. 

May God give me something to 

break the mold 

of us. 
 

“What a pity,” says the 

anorexic woman on the street 

as she passes me by, like the

cold wind of past winter.
 

“Well, that’s my mom for ya,” says the 

fat man getting off the bus.

He doesn’t know it but his shoes are

too small. He can’t know it.
 

Work again. No spills. 

Give me a spill. Give me

one spill to cry about. 
 

Night remains as I awake

on my desk. 
 

Pay day has arrived. 

Pay Day
(2023)

I want to love you and

I want to be loved by you.

I want to hold you and

I want to be held by you.

I want to dominate you and

I want to be dominated by you.
 

I want to lift you and

I want to be lifted by you.

I want to alleviate you and

I want to be alleviated by you.

I want to coddle you and

I want to be coddled by you.
 

I want to worry you and

I want to be worried by you.

I want to infuriate you and

I want to be infuriated by you.

I want to understand you and

I want to be understood by you.
 

I want to be seen.

I Want to be Seen (2022)

Why are you so cold to me?

The warmth of your personality

wears as we seep into lonesome.

No one to watch you now, but

me.

 

Do I dare ruin what we have?

What I have…

 

Schrödinger’s romance and all.

Conceivably endearing without

appearing, seemingly.

 

And the truth is, you yourself are lonely,

digressing in cycles left untouched by

an upbringing, or lack there of.

Am I the one who should carry this

burden? Unasked of course, yes,

but uninvited?

 

Still, heat heads out, beside me.

Like a bolt, no, a jolt of electricity.

I pray to this heat. Worship it, like

a deity. Join my jolt cult. Say

something. Anything.

 

You think too much. No,

not enough. Even the lamest,

tamest conviction you could say
would be more than sufficient, yet you

remain silent.

 

So why do I love you?

 

And the truth is, I’m so sorry.

For what, I do not know.

Schrödinger’s Romance
(2022)

I see flashes of you when I blink
 

like those of paparazzi, just

trying to catch a glimpse

of your beauty. Please, trust

in me to carry on as I limp

through this so-called life.
 

As dreary days turn to

drearier weeks, you remain

a constant. To soak the blue

from my hazel eyes again.
 

Bang. Bang. A double gunshot

every moment.

Panging banging echoes throughout

my temples.
 

But in truth, mustn’t one wonder

why I stick by your side? To

stay and wake and stay for the

sake of staying is just—

​​

Again…

​​

My eyes widen as I open myself up

to you, and all else fails.

For weathered tails of unsaid thoughts

and unthought words,

​​

open. I see nothing.

Flashes
(2022)

© 2024 Tyler R. Jenkins
© 2024 This Is Monky
© 2024 MBM-IAH

bottom of page